The concept of schizophrenic branding is not new. Marketers have always tried to target different messages to different markets using selective media. Of course there is always the fear that one positioning might undermine another. So how do you position luxury brands to the lavish-lifestyle hip-hop generation without turning off your primary staid and conservative markets? Through surgical internet targeting? Too technical. Through product placement? Not repetitive enough. How about through brand name placement in hip hop lyrics? I’m lovin’ it.
Great rockers of old regarded the use of their music in commercials as a sell-out or a breach of artistic integrity, and they stuck with it, at least till they turned fifty and the royalties started drying up. That’s when the Clash backs Pontiac, the Who hypes Nissan, and Led Zeppelin defibrillates Cadillac. Sell out or not, it works.
Rappers have no such qualms. In fact, the bling bling image is all about conspicuous association with elitist brands. Since 50 Cent dropped Courvoisier and Dom Perignon into his lyrics, they have gained recognition and street cred with the hip-hop crowd. Courvoisier has gone from “Huh? Say what?” to simply “Cou.” Jay-Z has had a similar effect on Bentley’s image and recognition, though fewer fans can afford to splash out on one of those. These were brands firmly associated with boring old f@rts, pretentious but effete jet-setters, and industrialists from nations beyond the scope of most peoples’ geographic competencies. Suddenly they are hip, and there is absolutely no danger that their “traditional” markets will ever find out. And it cost the marketing department nothing.
Enter McDonalds, stage right.
Enthralled with the apparent success of their “I’m lovin’ it” campaign, McDonalds has decided that some of that Cou effect would do the Big Mac a power of good. Rappers don’t sing about Big Macs without a little prodding, because a burger does not have the same fabulous decadent cachet as Dom Perignon. So McDonalds is offering a bribe: mention our product in your lyrics, and we’ll give you a kickback for any airtime you get. We’re talking significant money, enough to buy you two Big Macs for every time the product-placement song gets played. If I am not mistaken, that’s a lot more than the record company pays. Five bucks a spin? I’m in.
But will it be a sell out to commercialism? Will fans lose respect for the performers if they know the deal (and they will know the deal)? Will they reject the products pushed, or will they start eating more burgers with their Courvoisier? Now there’s an interesting research project.
